Designers from all over the world work with Gallery Direct to transform homes and offices. We followed interior designer, Sarah Scott, as she helped a work from home mom choose the right art for her space, her style and her budget.   The challenge was to find harmony with Kiera's and her husband's conflicting styles. Watch this video to see how Sarah navigates these challenges and pulls the space together perfectly. Have you faced a design challenge like this?  Let us know your design tips and tricks!

Star-Gazing with Sidney Hall

Follow One of the great things about working with the merchandising team at Gallery Direct is that I have crawled and crept through every corner of our enormous digital collection. It is such great fun to discover all the amazing … Read More

One of the great things about working with the merchandising team at Gallery Direct is that I have crawled and crept through every corner of our enormous digital collection. It is such great fun to discover all the amazing images we have (that's everyone's idea of fun, right?). A few weeks ago, I came across yet another hidden gem in our historical holdings: a series of constellation engravings by nineteenth-century engraver Sidney Hall.  [caption id="attachment_3497" align="aligncenter" width="528"] "Virgo"[/caption] A couple months ago in my inaugural blog post, I revealed my quirky obsession with nineteenth-century maps. Apparently I'm not the only person with a penchant for geography, because our vintage maps section has since taken off. When these kinds of maps were growing in popularity, cartographers and engravers alike also turned their attention skywards, and began publishing what were referred to as "star atlases," or celestial atlases. Sidney Hall, a fairly successful British cartographer, begun his career by contributing engravings to popular international atlases. Around 1825, however, following the major success of Alexander Jamieson's Celestial Atlas, published in 1822, Hall was asked to created a set of 32 engravings depicting the sky's constellations. Published as a set of cards under the title Urania's Minor or A View of the Heavens, Hall created two editions of the cards, the later of which, released in 1833, have become iconic interpretations of the skies above. [caption id="attachment_3498" align="aligncenter" width="528"] "Cancer"[/caption] Hall's engravings were accompanied by a text by Jehoshaphat Aspin, A Familiar Treatise on Astronomy. The cards served the dual purpose of illustrating the text, as well as serving as practical astronomical tools for consumers. In addition to the illustrations of figures and animals that Hall uses to depict the constellations, he accurately places the actual stars along the constellation lines. What's more, the manufacturers of the cards punched small holes where the stars are represented to allow light to come through. [caption id="attachment_3499" align="aligncenter" width="528"] "Gemini," with visible star holes.[/caption] This allowed for two things for people interested in the night sky: one could hold the card up in the air to properly locate and align the constellations, or project a shadow of the constellation onto a surface by holding the card up to a light. The card above, showing the twin stars, Castor and Pollux, commonly referred to as Gemini, gives a clear view of the star holes inserted into the cards. I love learning about how our predecessors conceived and thought about the world around them. Looking at maps and celestial atlases is a great way to get a glimpse into how conceptions of the world were changing with innovations in transportation, communication, and industry. In addition to the nerdy, historical aspects, I think these cards make awesome pieces for wall art. A close friend of mine just had a baby in early August, so I'm thinking for the baby's first birthday, I'm going to have the "Leo" constellation printed on birchwood for the her room in honor of her astrological sign. [caption id="attachment_3500" align="aligncenter" width="528"] "Leo Major and Leo Minor"[/caption] So, what's your sign?

Gallery Direct Featured on BUILT

Follow Gallery Direct is proud to sponsor BUILT the Style Network’s new home improvement show.  Based in New York City, BUILT is the authority on stylish living.  The 10 episode series followers one of New York’s top design teams as … Read More

[caption id="attachment_3486" align="alignleft" width="329"] Radio City Music Hall by Michael Joseph printed on Aluminum[/caption] Gallery Direct is proud to sponsor BUILT the Style Network's new home improvement show.  Based in New York City, BUILT is the authority on stylish living.  The 10 episode series followers one of New York's top design teams as they transform the homes of New York's most exclusive clients. What's the hook? This construction crew is made up of the male models that have graced the fashion runways and magazines. Each episode features a demanding client who has hired the design team to do a high end room remodel in their fabulous home, turning what was once a bland space into a dream location that the viewers will aspire to. Among them is an engineer, an art installation specialist, a foreman, and hundreds of hours of hands-­‐on handy work. [caption id="attachment_3487" align="alignright" width="300"] Merrymaking Series by M. Drake printed on Acrylic[/caption] We are thrilled that Gallery Direct's artwork was chosen by the interior designers for the remodels.  The shows interior designers picks out and customizes the artwork that completes the room decor.  See anything you like?   See more of the BUILT images on our Facebook Page.    

To the Age its Art, to Art its Freedom

Follow I had just turned 21 and was on my third year of Architecture school.  Life has never been a straight line for me and my interests were all over the place.  For some reason in the previous years I … Read More

[caption id="attachment_3364" align="alignnone" width="300"] The Secession Building in Vienna featuring the Secession "motto":"To the Age its Art, to Art its Freedom" ("Der Zeit Ihre Kunst. Der Kunst Ihre Freiheit")[/caption] I had just turned 21 and was on my third year of Architecture school.  Life has never been a straight line for me and my interests were all over the place.  For some reason in the previous years I had fallen in love with the German language and had plunged into the German culture and literature while going to Architecture school.  After a few years, I found myself with a plane ticket to Freiburg-im-Breisgau (a small student town in the south of Germany, in the Black Forest) and a scholarship to study German at the Freiburg University.  At that time, one of my favorite Professors from the Architecture School was living in Vienna.  Well, this Professor, Rosa, was kind enough to invite me to spend some time with her in her apartment in the very heart of Vienna, before my classes started. When I look back, what else could a 21-year old want from life? I had no money, but I had friends, adventurous perspectives and my whole life ahead of me. Life was good – very, very good. In fact, every time I hear the Timbuk3 song, I think of that time:

(...) I got a crazy teacher, he wears dark glasses Things are going great, and they're only getting better I'm doing all right, getting good grades The future's so bright, I gotta wear shades (...)

I arrived in Vienna after a long train ride from Belgium, where I was "based" (my mom's sister has been living in Belgium forever, and she has always been kind enough to embrace me as a daughter all the times I was in Europe. By the way, I am Brazilian and was living in Rio at that time). When I arrived in Vienna, Rosa was waiting for me with some friends and a glass of wine at the train station. I remember that night: we hit a few pubs, I ate my first Goulash (Goulash is a Hungarian dish, and Budapest is just around the corner…) and I also lost my recent-Paris-acquired red beret in one of the restaurants we visited. It was December and cold, dark and windy; in spite of that, the streets were crowded and the people were in coffee houses, pubs, restaurants. Rosa knew a lot of people. Life was pulsating and there was no doubt about that. While I walked downtown, I noticed that the old buildings had sometimes a beautiful plate next to the door, saying something like "Here lived Schubert - or Freud - from (year) to (year)". Those plates were everywhere, mostly with great musicians names. At night, in the narrow and curvy streets illuminated by old lanterns, I felt that I had come to a magical place that I did not want to leave. Vienna was definitely a mix of East and West Europe, and having Eastern Europe in my blood (my dad was from Belgrade), that city could not speak more to my heart. Why this long introduction? Well, you can imagine how easy it was for me to fall in love with the art and architecture that I saw in Vienna. Let me explain that what first caught my eyes in Vienna was the Jungendstil (German for "youth style") : the Viennese / German version of the Art Nouveau. It was everywhere, but most obviously at the buildings doors. The Art Nouveau or Jungendstil was a reaction to academic art of the 19th century, and it was inspired by natural forms and structures. Curved lines, twisted iron, experiences with curves. Architects tried to harmonize with the natural environment. It is hard to figure out exactly what brought up that style (how can you really pin-point one single cause?). Real artists can grasp the Zeitgeist and translate it into forms, and that's what happened in Vienna, at the turn of the century (1890-19….). Wikipedia says that "The style was influenced strongly by Czech artist Alphonse Mucha, when Mucha produced a lithographed poster, which appeared on 1 January 1895 in the streets of Paris as an advertisement for the play Gismonda by Victorien Sardou, featuring Sarah Bernhardt. " Gallery Direct has Mucha's poster - see it here. [caption id="attachment_3355" align="alignleft" width="103"] Alfons Mucha - Gismonda, 1894[/caption] Of all the artists involved in the Jungendstil movement, Gustav Klimt is certainly still the best known. In the years of 1895 to 1900, Klimt pressed a personal crisis of middle age into a service of radical reorientation of his professional work (just like Freud, also living in Vienna and already a famous doctor). Klimt decisively rejected the realism in which he had been reared. He plunged into the self and embarked into a "voyage interieur". When he exhibited to the public the results of his explorations inside his world of "instincts", he encountered resistance from two ends: from liberal-rationalist academic orthodoxy, and from anti-Semites. In the face of hostility, Klimt withdrew from the public scene to the shelter of a small cottage house - to preserve and further explore the terrain he had just conquered and discovered.   We need to remember that at that time, Vienna was not in Austria, but part of the the Austro-Hungarian Empire, and all over the world Imperialism had its days counted. Klimt represented the cultural situation in which psychoanalysis also arose. He, like Freud, confronted a period of historical transition. With other intellectuals of his class and generation, Klimt shared a crisis of culture characterized by the search of a new self. Gustav Klimt finally rose to fame in the service of wealthy families of Vienna. He decorated the Museum of Art History and the Burgtheather. During the years when these paintings won Klimt his fame, the social layer whose values he expressed was being undermined. The liberal society was crying for reform and a widespread, collective revolt began to spread through the Austrian middle class. "Die Jungen" ("The Youth") became the common name chosen by the rebels in one filed after another. In the mid-nineties, the revolt agains tradition finally spread to art and architecture. Within the principal artists' association – die Jungen – the name was used again – organized themselves to break the prevailing academic constrains in favor of an open, experimental attitude toward painting. They rejected the classical realist tradition of their masters in the search for modern man's true face. [caption id="attachment_3360" align="alignleft" width="528"] Section from Klimt’s ‘Beethoven Frieze’ with the character of ‘Lasciviousness.’
She’s the redhead seated on the back of the beast. Secession, 1902.[/caption] Klimt, though himself a young master of the old school, early assumed leadership in the revolt of die Jungen in the visual arts. In 1897, he led them out of the established artists' association to found the Secession. Like I once heard, un-learning is so often so more difficult than learning! And in order to deconstruct, it is so important to have achieved the knowledge of the "conventional". In 1898 the movement gained its own building, a project by the architect Joseph Maria Olbrich. The exhibition building soon became known simply as "the Secession" (die Sezession). This building became an icon of the movement. You can see more photos of Secession building below, with Klimt's paintings inside. Check the poster for the first exhibit on sale at Gallery Direct here. It is fascinating, how strong this image still is! I could write more, but what about giving you a break and continuing next week in "Vienna - Part ii?" Also, next time you buy a Klimt, think about all that the man went through, and all the freedom that his paitnings represent. No wonder they're strong until today. I found the images in this post in the web. I don't think my own photos survived these years, unfortunately. If you want to read more about Vienna and the "Fin-de-Siecle", I firmly recommend this book, which I consulted to write this post: "Fin-De-Siecle Vienna: Politics and Culture", by Carl E. Schorske.
Klimt's 1902 Beethoven painting in the Secession Building
[caption id="attachment_3290" align="alignnone" width="300"] The Secession Building from another angle[/caption]

Reflect Your Style: Art on Mirror

Follow Below is one of my favorite styles of gallery wall arrangements- showing off framed souvenirs paired with framed fine art. I would say that the style around my home is colorful and eclectic, to say the very least. Pair that … Read More

Below is one of my favorite styles of gallery wall arrangements- showing off framed souvenirs paired with framed fine art. I would say that the style around my home is colorful and eclectic, to say the very least. Pair that with an obsession for all forms of Art and imagery; from black and white photographic prints, vintage botanicals scans to more contemporary mixed media pieces and I’m left with dense gallery walls that I always find inspiring. Some may say (my fiancé) that this “everything goes” way of styling is crazy. I say, if you love to surround yourself with an abundance of beautiful art, hang it and apologize to no one! Since my tiny bathroom walls were sorely neglected in comparison to the rest of my house, this got me thinking that I could use mirror as my print material to create a tiny wall of art for my bathroom that would be functional, eclectic and unified. This realization blew my mind for a few reasons; to start the mirror reflections actually made my bathroom feel larger and now it exhibits work from some of my favorite local artists while simultaneously offering five new functional mirrors to choose from when primping, instead of one. Complete satisfaction. I found that the key to getting what you want out of mirror is to understand that there are  two very different styles that can be achieved when printing on mirror, which are completely determined by the white values in your image. If you think about it, when an image is printed on a white paper, the white areas of that image have little to no ink, revealing more of the natural white of the paper. Now apply that same logic to an image printed on mirror and try to imagine which areas will reveal raw mirror and which will be inked. One style is more dreamy and frosted with very little visibility through the image. The other style shows the image clearly defined from the mirror, making it possible to see reflections through the image in certain areas. To check exactly where those reflective areas are and to make double sure that your image will print out exactly how you've envisioned, you can check to see where your true white values are in your image by using the eyedropper tool in Photoshop or using Pixlr (an amazing free online photo editor). A perfect white value will give you a hexadecimal color code of #FFFFFF.   If you would like even more information about Art on Mirror, watch the video below. For information about the other offered materials watch our Our Unique Materials playlist.  
Being an art history geek has its quirks. How do I unwind after a long day at work? I scan through my old art history textbooks. I know it's kind of weird, but it gives me a sense of calm to flip through the well-loved pages and read the words of the scholars and thinkers who inspire me, and in turn, the artists who inspire them. Working with Gallery Direct adds a whole new dimension to my little meditation - with a quick click of a button, I can find high resolution images of my favorite paintings and prints. Last night, I was all zenned out while looking through one of my favorite books, Carol Armstrong's Manet Manette. Not only is this a groundbreaking text, but  it is also one of the first books that made want to go into art history. Armstrong spends her final chapter contemplating a single painting, Edouard Manet's A Bar at the Folies-Bergère (1882). This so happens to be one of my favorite paintings of all time, so I was thrilled to discover that it is also on Gallery Direct. Often heralded as Manet's last great painting, it certainly makes an impression. Not only is it beautifully executed - from the considered palette to the purposeful brushstrokes - it is a veritable field day for art lovers. Reading about this painting for the first time blew my mind. It simultaneously subverts traditional notions of perspective and viewership and yet is still utterly readable and relatable for any viewer. At first glance, it is simply a bar scene - the bottles on the counter frame the beautiful bartender as she waits to take an order. But upon further examination, you realize that the customer the bartender is waiting on is you, the viewer. She stares right at you, waiting. Digging even deeper, you realize that the background of the painting is in fact a reflection in a mirror, and to the right of the bartender, a face is reflected. Like I said, this painting can (and has) been discussed every which way for hours on end. One of my favorite things about it, though, is how it brings together so many of Manet's interests as an artist. While the Impressionists, his contemporaries, were interested in painting en plein air, or outdoors, and capturing the light and colors of nature, Manet's paintings are concerned with the emergence of modern Parisian life. Urban scenes and quotidian subjects abound in his oeuvre, along with a meditation on how art relates to consumerism. Fin-de-siècle Paris was a place of spectacle, and consumption of that spectacle was on the minds of its painters and writers. In Bar at the Folies-Bergère, Manet examines the idea of consumption from multiple angles - the subject itself, a bar, is a place for the consumption of alcohol and food. Moving beyond literal consumption, Manet examines how nineteenth-century Parisians consumed culture at the Folies-Bergère, a popular nightclub, how does the male customer depicted in the mirror "consume" the beautiful bartender, and how do we, as the audience, consume this piece of art? Manet is one of the most complex and confounding artists that I've come across, which is why, I think, he is my favorite artist. His paintings are beautiful and striking, and on top of that, they make me think. When it came down to it, my meditation last night turned into retail therapy - on a whim, I ordered a print of the painting, framed and on paper, through Gallery Direct. I am so excited to have a bit of art history right there on my wall for me to contemplate every day.

Mood Board: It Starts With a Story

Follow So, I’m a shopaholic. I have accepted this about myself (even if my husband has not). Turns out that it’s not very healthy for my bank account for me to shop ALL THE TIME, so to keep my urges … Read More

So, I'm a shopaholic. I have accepted this about myself (even if my husband has not). Turns out that it's not very healthy for my bank account for me to shop ALL THE TIME, so to keep my urges in check, I've started creating mood boards of dream rooms inspired by art. I've been in love with Caroline Ashton's Story series for a while now - check out Story I and Story II. I love the cool teal color palette, and undulating lines. My mood board, inspired by Story I, has a mix of clean, modern pieces with strong lines and more organic-feeling patterns and textures: "Story I" Mood Board Artwork centerpiece: 1. Gallery Direct - Story I by Caroline Ashton The supporting cast: 2. Zinc Door - Modern Pillow 3. West Elm - Blurry Stripe Pillow Cover 4. Layla Grace - Pine Cone Hill Chambray Linen Ocean Pillow 5. Zinc Door - Arteriors Home Mercedes Mahogany Chair 6. Dwell UK - Chenile Twist Rug 7. Wayfair - Gus Modern Adelaide Sofa 8. Occa Home - Joshua Ellis Cashmere Throw  9. My Two Designers - Rodeo Ottoman 10. West Elm - Recycled Glass Jug Vase 11. Noya Decor - Adesso Maui Transitional Arc Floor Lamp What do you think of my Caroline Ashton-inspired design mood board? Does it inspire you? Want to make your own art-inspired mood board? Head over to Olioboard and try it out--for free. You can find some of my favorite Gallery Direct artwork to add to your boards here. Share your mood board and we might feature it on Gallery Direct! -- Follow Nichele on Google+
Let me come right out and say it – I am a big nerd. I studied art history and history in college, so working with Gallery Direct, I get to geek out on our amazing collection of Old Masters, like Botticelli and Leonardo da Vinci, our modern masters like Vincent van Gogh and Pierre-Auguste Renoir, and of course our incredible collection of vintage posters, advertisements, and other cool memorabilia. But I just hit the jackpot. The team here at Gallery Direct has recently begun an effort to bring you a wide array of historical maps, and I have to tell you, I am just crazy about them. Most of our maps are from the nineteenth-century and early-twentieth-century, and are as beautiful as they are intriguing. Studying historical maps is such an interesting experience. Not only are you seeing a glimpse of what once was, but how people thought about the world. I am currently lusting over this incredible 1870 map of New York. Being a native New Yorker living in Austin, Texas, seeing this map every day is a great reminder of home, as well as the city’s intricate history. I just had to have it!   These gorgeous maps are the perfect way to decorate your home. If you’re like me and living away from your hometown, you can commemorate your roots in style. Overtaken by wanderlust? Dreaming of traveling? Pick a handful of your favorite cities to put on display as a reminder of your memories abroad, or your future travel aspirations! Many of our American panoramic maps were designed by Albert Ruger, a Prussian immigrant who served with the Ohio Volunteers during the Civil War. During the war, he started drawing pictures of Union campsites. After the war ended, he settled down in Michigan and began his career in mapmaking by sketching maps of the cities of Michigan. He soon became very successful, and in the 1860s, formed a partnership with another American mapmaker, J.J. Stoner, and together, they published dozens of the panoramic maps that we have available to grace your walls today. The printing company Currier & Ives is also responsible for a good portion of our maps, another nineteenth-century outfit that helped pioneer the American panoramic map. I personally feel so lucky to be able to work so closely with these little slices of history on a daily basis, and even more fortunate to be able to see them printed in such high quality! I suggest checking them out on birchwood, one of the many awesome materials that we print on. Are you as ga-ga for geography as I am? What cities inspire you?

Finding my Path at Home

Follow I have been working at Gallery Direct since the beginning of November. What a delight it has been – I have artistic co-workers and see beautiful images all day.  I am a graphic designer and picking images for marketing … Read More

I have been working at Gallery Direct since the beginning of November. What a delight it has been - I have artistic co-workers and see beautiful images all day.  I am a graphic designer and picking images for marketing or the website is - to say the least - fun. Since I deal with beautiful images all day, I decided to put together an Evernote notebook for me (any mac users out there?!) with all the art that I wanted to buy from Gallery Direct. Almost 3 months went by, and my list surprisingly was mostly abstracts, a few Asians and lots of maps. Not to mention my own photos that I wanted to print. I would love to have my personal photos blown up and hung onto my walls. One day I realized that - duh - I didn't have enough walls for all that I wanted. I needed another list for my list. Focus! Reduce! Less is more. What did I really want for my house? Where in the house? Which wall? I realized that I would have to repaint some of my walls, because, when we bought the house in 2007, I went a little wild with the color palette, I admit it.  Now, those colors no longer make me happy. As we change, the colors that we love change, the ways that we think and react to visual stimuli also change.  I always welcome change!  Was I dying to repaint the walls? Ouch, no. So while being busy at work and having a high maintenance Border Collie that needs walks and exercise every day, I stopped adding images to my notebook. Until the day I had to make a banner for the homepage. Here it is: Inline image 1 That somehow lit up the little bulb above my head and in a weekend spell, I went to Lowe's and bought the paints I wanted, painted the living room and placed my order: 2 gigantic Todd Camp - Enlighted Path I and II, 48x36. That did it! It was just the "push" I needed to make everything else rock'n roll.  The purchase made me very happy - those colors represent so much of what I like in terms of art - freedom, color, energy (well, at least that's my view... art is art, right?). I also ordered a few smaller ones, which you'll see in the photos below. I don't think of my house as a "chic" place: I know it isn't.  Although I graduated in architecture, when it comes to my own place, it's always been more a joyful play - with room for experiments - rather than the "tried and true" styles that I know will work. Also, having 4 cats (and 8 clawed front-paws) and 2 dogs (how did that happen?), my house is not super tidy. That said, I beg you to please disregard my couch ;-))) Inline image 1 Above: Also look at that Border Collie with her moose toy - isn't she precious? ;-)))) Below: My bike has its own wall. You can not buy happiness, but you can buy a bike and art! Last photo: Colors, colors: such a blessing to be able to see them all!
Inline image 2
Inline image 3
What lights up your bulb?

Selecting Art: Sailing in Couture Stilettos

Follow My most recent project with Gallery Direct was selecting art with a couple in Austin, Texas that just moved from the East Coast. Two very different personalities presented themselves, which is always a fun design challenge. Nicola, a fashionista … Read More

My most recent project with Gallery Direct was selecting art with a couple in Austin, Texas that just moved from the East Coast. Two very different personalities presented themselves, which is always a fun design challenge. Nicola, a fashionista who has an extreme passion for abstract art and design. Her husband Christian, has an intense passion for sailing, the ocean, and very traditional. Their common denominator was entertaining their friends at their known dinner parties. Their Austin home had one of the best modern dining room layouts, providing his and her walls to showcase their personalities in their favorite room. Like everyone, they had a budget so we started at Gallery Direct. Nicola was shocked at the options, but extremely puzzled how to make this important space both theirs. She wasn’t real thrilled to be searching for an abstract ship to compromise. It was important for her to have something colorful and abstract of her own. To ease the overwhelming search for her we took three easy steps to get started, here they are:
  1. Check out the Brand New First Additions
  2. Use the search engine with key words that express an emotion you might want to feel in that room.
  3. Gallery Direct has the best Subjects section online. That is where we found what we were looking for. (Abstract for Nicoloa and Coastal and Tropical for Christian)
We choose the Brisbane by Brett Pfister with an aluminum finish for Christians wall and a series of four abstract pieces by Jamie Packard on gallery wrapped canvas for Nicola. Two Quick Tips:
  1. To help finalize your decision for your art selection, choose three, print them at home or your office, tape them on the selected wall(s). Leave them up for at least a day. By the end of that day you will know which one you want.
  2. When deciding on a size, use blue tape to safely show you the impact of the size on your wall.  Don’t be shy to go big!
Nicola and Christian were extremely excited to have their guests over. They now have amazing conversation pieces with the balance of vibrant energy and the calming sea showcasing both personalities they desired. Until the next project… Give the gift of art to your temple. Make it the colorful palace you look forward to coming home to. Sarah